If it sounds good, it is

As a follow up to the Americana open chord study.

Very nice ideas in the video, working on it has been enjoyable will have check out more on this type of playing.

As mentioned in the intro, many people seem to too quickly move to ‘fancy’ ‘jazz’ extended chords and ‘flashy’ voice leadings.

True that.

I personally have next to zero playing exposure with open chords or using triad voicings or even basic country/rock/pop rhythms. I can’t even play Wilco’s California Stars, can’t make clean sounding changes and can’t figure out the strumming pattern.

But I can play swing, Bossa Nova, and styles that are centered in ‘jazz’ harmony. In my 20’s I started to play piano because I had been listing to Brubeck and Bill Evans records so the instruction I got was focused on harmony from day one. My playing technique has always lagged behind but theory I have a strong grasp on.

That said, I think this is the opposite of what many others have experienced. It seems lots of people get shown open chords first or maybe some blues/r&r riffs perhaps as an effort to get them quickly playing something ‘fun’ but then they feel like they must start working on jazz styles as it is perceived as more sophisticated and ‘advanced’

But the reality, to me at least, is it is all about the sound you are after. I stopped playing piano long ago but retained my jazz harmony knowledge and started dabbling in guitar a few years ago but because of my early background with jazz piano harmony I just started working on the same e.g. jazz standards and how to apply jazz standards to guitar. My lack of technique is the blocker not theory!!

So it seems I am going in the opposite direction here, started with jazz harmony but trying to play some of the country/rockabilly/surf/pop stuff now and it is a completely different approach and way of thinking and trying to get the proper sound for this styles is a challenge - it is not cerebral and as such really exposes major gaps in my playing but I’m having a blast with in thus far.

Also I have never played any kind of solid body guitar until now just flattops and archtops, I picked up a Strat recently, very cool but I am still not sure what to make of it!!

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Hi Ron,

Funnily enough, I’m also looking back over that lesson. A lot of fundamental stuff to get down.

I’m sure a lot here will be jealous of your journey through jazz to pop/country/blues where the rest of us mortals reside :joy:

Looking forward to hearing more as you continue on your journey and hope you enjoy the strat. Lovely guitars.

Take care

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Hi Ron, your post very much resonated with me. When I was young I had the great fortune to live and play in New Orleans with the great Walter “Wolfman” Washington. He was a monster player who started as a session guitarist with Johnny Adams, Lee Dorsey, Dr. John and many others as well as recording some very solid solo albums of his own. He could do big jazz voicing with ease, but he taught me that sometimes fancy is not always better. When I started diving more into a triad and chord tone approach everything changed for me. I also revisited the Americana lesson and it just reinforced how a more open approach can create so much beautiful space. Julian Lage uses a lot of open chords, but his voicing are next level, if you do not know him his approach is awe inspiring.

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